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Thursday, May 15, 2008

Everyone is a Photojournalist.

I had to share this article as it sums up my feelings towards the raft of "Photojournalists" that have appeared over the last few years.


An article by Michael Roney for the Wedding Photojournalist Association.

Buyer beware: Trendy labels may be misleading, and a wedding photographer who claims to have been a “photojournalist” may not always be who you expect.

These days untold numbers of wedding photographers state in their bio's that they have a background in photojournalism. Yet many do not really have any actual professional experience as photojournalists. Some have maybe published just one or two photos, or work occasionally as a freelancer for a newspaper or magazine, while others fudge their own work history and interpretation of the term in order to bolster their own image.

So what, in fact, does this label mean, and can you trust it? Does it even make a difference? When you see this claim, even on the sites of WPJA members, you should definitely ask some questions to determine whether your candidate really has the background and ability to fulfill your expectations.

A Qualitative Difference

The terms “photojournalism” and “wedding photojournalism” are used quite liberally on thousands of web sites to imply that a photographer has the skills to capture unscripted moments, tell the story of the day, and richly document events as they unfold. Many wedding photographers like to say they are / have been photojournalists, or come from a photojournalistic background when this is not the case at all.

This practice became more prevalent in the late 1990s and early 2000s, when photographers who did not have the word “photojournalism” as a part of their marketing, had the potential of losing business. Now this term has become a more popular buzzword than ever, which certainly means you cannot take every claim of “photojournalism” at face value.

“Wedding photojournalism and photojournalism are two different things,” explains Virginia-based wedding photographer Greg Gibson, who has won two Pulitzer Prizes for his images covering the 1992 Presidential campaign and the 1998 Bill Clinton-Monica Lewinsky scandal. “A lot of wedding photographers take the word ‘photojournalism’ to mean storytelling, where photojournalism is really about news gathering and being the publics witness, more so than just being a documentary photographer.” It is important to understand, that just because someone is a “wedding photojournalist” does not qualify him or her as a “photojournalist”.

There are many fine wedding photojournalists who have never worked at a newspaper, and it is clear from their portfolios, awards and legions of satisfied customers that they do an excellent job at covering weddings. Others do have a news photography background, which adds another layer of skills to their arsenal, since they have been paid to work every day, making quality images, sometimes up to six or seven days a week. Under those conditions, “There’s a much higher expectation to get the job done consistently and at a high level,” Gibson notes. “If you miss the moment and the person sitting next to you gets it, then their picture is going to be the one that gets all of the play and the attention, and your boss is going to be asking you why you didn’t get it.”

Questions, questions

Identifying that bona fide, field-tested photojournalist is often a matter   of looking beyond the biography and asking some precise,   informed questions.

“It’s amazing to me how many wedding photographers try to capitalize   on the ‘photojournalist’ label even though they may have extremely   limited publication experience, no news reporting experience, and don’t   even practice a photojournalistic approach to their wedding coverage,” states   the WPJA’s founder, David Roberts. “Everyone is claiming to have   a photojournalism background these days and few are willing to back   it up with solid, detailed info in their bio/about page, and perhaps   a collection of true photojournalism images that extend beyond photographing   pee   wee sports and the homeless sleeping in parks.”

For those photographers who make unsubstantiated statements of having a   background in photojournalism, Roberts illustrates the possible misuse of   the   term “photojournalist”. “When   my son was only ten years old, a local newspaper published a full page   of his color sports images,” Roberts notes. “A fine accomplishment, and I’m   a proud dad, of course, but neither I nor anyone else would classify   my son as a photojournalist. And yet in my book, having his images   published under   deadline by the media puts him light years ahead of many wedding photographers   now claiming they are photojournalists.”

You should also take into consideration the level at which your candidates worked. The better photographers generally move up the food chain. Usually the larger publications acquire the more credible photographers. Those who have worked at big daily newspapers are going to have more experience than those working at the weeklies.

“People who have worked on a national or high state level where they are competing with photographers from other publications certainly get a different kind of experience,” Gibson notes. “Their job security, pay and promotion are dependent on them performing at a high level very consistently.”

Sure you've been published!

Some wedding photographers attempt to support their “photojournalist” credentials by fudging their experience in unethical ways.

Gibson notes that even since he’s been retired from journalism, he has taken pictures and sent them to his local paper, so it’s easy to get a picture in print. The frequency with which people are contributing to publications or getting assignments is a much more important qualifier than whether they have ever been published.

“When photojournalism became a buzz word, there were so many photographers whose bios said they had been published in The New York Times or Time Magazine, where the reality is that maybe they had one picture published in their career," he says. "So the bride and groom should ask ‘How often did you get assignments from that publication?’”

And in some cases, there actually was no assignment whatsoever! Roberts points out that many times couples will submit their engagement portrait to newspapers as a wedding announcement, only to have their photographer then claim that he or she has shot for that publication.

“Some even include the names of publications to which they have paid money to run a photographer advertisement,” he notes. “That takes a lot of nerve because obviously, that’s not photojournalism…it’s paying to get published!”

Don't be misled

Of course, having that news background is not a prerequisite for every couple that is looking for their perfect wedding photographer. Ultimately, a photographer’s body of work is usually the final qualifier. But even then, looks can be deceiving unless you do some inquiry.

Regardless of the criteria most significant to you, the important thing is to not be misled by trendy claims. You have every right to expect that someone who claims to be a photojournalist really is one—a staffer at a newspaper or wire service who has been tested under fire. Do the research, ask some probing questions and you’ll truly get what you expect.

Monday, May 12, 2008

Andrew and Jennifer

These two shots, from Mount Stewart gardens at the week-end, were taken whilst the couple were waiting for the rest of their family to arrive for a formal shot. They were taken seconds apart, the first one while Jennifer wasn't aware of what I was doing and the second one when I asked both of them to quickly look in my direction. Both were taken using a technique that employs shallow depth of field with foreground blur.

518522_2 Both of these shots utilise a technique where the foreground (and the background to a degree) is blurred to the point where it creates an interest but still manages to focus attention on the subject. Providing the photographer is using the right lens, this is a simple technique and lends itself very well to a journalistic style of photography.

Saturday, May 10, 2008

EOS 1D Mark III fixed at last!

Finally - nearly a year after it's release and the abject denial by Canon that there was ever a wide-scale problem with the Mark III's, my camera is working, after the replacement of a sub-mirror assembly and the addition of new firmware. This is now the camera that it was supposed to be when it came along i.e. the beautiful tones and ability to work at high ISO's in near darkness.

I shot my first wedding today with the new fixes and what a difference!

Portfolio music

Image820931122441bonivernew9Just in case anyone is wondering, the music that accompanies my portfolio is by a guy called Bon Iver (French for "Good Winter" and real name Justin Vernon) who moved to a remote cabin in the woods of Northwestern Wisconsin at the start of the winter and wrote his first solo album "For Emma, Forever Ago" over the ensuing three months.  The track is "Re:Stacks".

I intend to put a music player in the Portfolio section eventually just in case you don't want to listen, but then you can always turn your sound down ;-)

Friday, May 02, 2008

Early retirement!

So it's official (at least according to all my friends and colleagues!), I have supposedly retired from the glitzy world of national press photography and am now a "Gentleman of Leisure". Yes indeed, as from the end of March 2008 I decided that enough was enough and hung up my Laptop for good. After twelve years at the  front and also in the face of an ongoing financial squeeze courtesy of the Baked Bean Baron and owner of Independent News and Media, Tony O'Reilly, it was time to say "Cheerio" to the freelance work at the Belfast Telegraph.

To be truthful it was an extremely daunting prospect and one which was considered over several months, i.e. giving up regular work. On the other hand, something had to give. Family pressures, other work commitments, house building plans, music, even gardening were all starting to mount as a result of trying to squeeze too much in. So a choice was made and here I am.

The one thing I have noticed that I am missing is the banter with Gerry Fitzgerald, Peter Rainey, Trevor Martin etc. along with all the other staffers that have taken their voluntary redundancy from the Tele, over the past few years. But I guess they were all about ready for a few years with their feet up after serving life through the height of the troubles. If any of you happen to be reading this, then "Hello", drop me an email will ye'.

So to the current position. The decision to pack in the other work was fueled partly by the need for more time but also partly by the desire to shoot weddings. Odd I know! I actually enjoy it and get a real buzz from doing them. In a way there is much more creative freedom in photographing weddings as you don't have anyone breathing down your neck expecting to see a particular kind of image to fit a specific shape on a page. (Can I have it in three minutes as well please!). The wedding photography was at a place where I was comfortable in the knowledge that the bookings were, and still are, in place.

Weddings are something that have just built up over the last six or seven years, after my initial booking in 2000 by a Channel 4 TV producer to just "Turn up and shoot what happens" at his wedding in Lisburn, to the point they are at now where I usually shoot about seventy a year anywhere in the country.

As the backlog of albums starts to disappear, I am finding that there is more time now to devote to my ideas concerning the thing that currently interests me the most - Wedding Photography!